Well an update.
I had the opportunity to visit and photograph the inside of this wonderful building. It certainly bears comparison to many of the churches I have visited.
However 2 photographs just to wet the appetite. More to follow. There is now a link to the datastore which carries many more photos of the inside.
The information below is pasted from the Historic Chapels Trust. It is clearly a modern building, built between 1955 and 1957. Only 60 years old!
Do indeed want to see inside this building!
However the photos:
I had the opportunity to visit and photograph the inside of this wonderful building. It certainly bears comparison to many of the churches I have visited.
However 2 photographs just to wet the appetite. More to follow. There is now a link to the datastore which carries many more photos of the inside.
The confessional on the south side of the building - a little retouched. |
Blue Plaque - just inside the door |
The information below is pasted from the Historic Chapels Trust. It is clearly a modern building, built between 1955 and 1957. Only 60 years old!
History and Architecture
The shrine was built as a Roman Catholic convent chapel designed by the
distinguished Francis Xavier Velarde.
This entry is a brief copy of his work in the City of Liverpool files. Hopefully this long link will open.
Velarde; Francis Xavier (1897-1960) |
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Born 1897. Died 28th December 1961 (aged 62) |
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Entered the Liverpool School of Architecture in 1920, and was awarded an honorary travelling scholarship in 1923. He taught there from 1928. Practised mainly as a church architect, and worked in Merseyside and the North West of England. [B. Arch. A.R.I.B.A]. O.B.E in 1957. | |||||||||||||||||||
Wife and 2 Sons (one being an Architect) | |||||||||||||||||||
St. Matthew, Clubmoor, Liverpool (1927); St. Gabriel, Blackburn (1932-3); Our Lady of Lourdes School, Birkdale, Southport (1935-6); St. Monica, Bootle (1936); Holy Cross, Bidston, Birkenhead (1959) |
It dates from 1955–7.
Velarde was interested in blending historic styles with modern
motifs. The result at Blackpool exhibited a highly individual,
expressive, modern interpretation.
The chapel is of Portland stone externally with a copper roof and
fleche, it is ornamented with four statues, one at each corner, with a
relief on the facade above the entrance by the sculptor David John.
The interior is dominated by gold mosaic columns, supporting a
ceiling of vivid blue, red and gold against a background of pale grey
rendered walls.
The windows form a high screen of pierced stone forming a bold geometric pattern along each wall. Another link to David John here
Repair and Regeneration
A first phase of repairs was completed in April 2008.
This consisted of repairs to the leaking copper roof and re-designing a
defective rainwater disposal system. The works cost £100,000.
Fundraising has started to raise approximately £500,000 to fund the
works required to complete repairs and introduce new facilities to
ensure the building can host a wide range of suitable community
activities and occasional services of worship.
The following excerpt is from Blackpool Civic Trust:
War memorial thanksgiving chapel, with vestries and entrance steps.
1955-7 to the designs of F.X. Velarde; Eaves and Co., builders.
Portland stone, with copper-clad roof and fleche.
Near-rectangular plan of four bay church with single-bay narthex
and sanctuary apse at their respective ends, with projecting vestries at
East end.
West end blind, with over round-arched timber double doors a
relief of the Holy Trinity by David John, who also sculpted the
pinnacles at each corner of the building, which depict our Lady
appearing to St Bernadette, Christ appearing to St Margaret Mary, St
Thomas of Canterbuy and St Edward the Confessor. Those at West end are
set on fluted buttresses.
Rectangular panels of glazing, filled with alternating square and
lozenge tracery patterns of red and blue glass. Circular motif to
tracery in round-headed little vestry windows. Central fleche with
gilded bands contrasting with the copper, and central cross motif,
surmounted by cross.
York stone steps between stone flank walls to entrance
The interior is equally magnificently appointed. Round-arched
arcades clad in gold mosaic, with cross motif, support ceiling of vivid
blue, red and gold. Tiled floor with cross motif. Raised sanctuary
reached up marble steps in apse with round-arched opening. Sanctuary
floor of marble with mosaic panels. Bronze altar rails of art deco
design, related in style to glazed screen at west end of church, which
is finished in lacquered bronze. Altar and reredos of gris mouchete
stone carved by David John.
The Shrine of Our Lady of Lourdes, patron saint of the
Diocese of Lancaster, was conceived by the Right Reverend Thomas E.
Flynn, Bishop of Lancaster, as a thanksgiving chapel to the diocese’s
relatively unscathed survival through World War II.
In September 1945 Bishop Flynn wrote: “During the war as the
danger became more acute, and one diocese after another suffered
terrible losses of life and property, I asked for earnest prayers to our
patroness, Our Lady of Lourdes….and we were marvellously spared. The
thought was in my mind during that period of anxiety that after the war I
should ask the diocese to make an offering to God to show our
gratitude”.
The shrine cost £50,000 to which every parish in the
diocese subscribed. Blackpool was chosen for its central position and
ease of access to visitors; a local builder, William Eaves, donated the
site.
The shrine was tended by nuns of the Congregation of
Adoration of Mare Reparatrice. Most recently the shrine has been
attended by the Blessed Sacrament of Fathers. Velarde’s work was
described in the opening literature as “although original in design
(having) its roots in the Ancient Romanesque Architecture”. While his
St Teresa, Upholland, of the same date, shares the combination of modern
sculpture, gilded mosaic and round-arched detailing found here, the
shrine has a perfect, diminutive jewel-like quality that transcends
conventional church formulas.
Do indeed want to see inside this building!
However the photos:
Although the Shrine has been saved, there does not seem to be much going on at present |
This is from across Whinney Heys road. Looks quite idyllic but its bedlam at visiting time |
The copper roof is clearly seen - this was the subject of much fund raising. |
This is from the hospital side - looking towards the rear of the building |
This is from the roundabout side. The circular rear can be seen |
The very rear. This is the East end Significantly no windows |
Lattice stonwork and a peculiar chimney type object |
An elegant view. This is the view that the majority of travelers have on the road that runs from behind Stanley park to Bispham. Just before the Newton drive roundabout. |
Relief of the Passion of Christ in Portland Stone |
Looking towards Victoria Hospital |
Looking towards the Newton Drive roundabout |
The clock tower in Victoria Hospital. Not sure why it is in this set of pictures except that it very close and that it is one of the remaining parts of the hospital still left. |
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